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Editorial
"鄭"
"鄭" is a personal photo series named after my father’s family name, bridging my Chinese and Korean heritage. Created with my sister, Dorothy Cheng, in a New York studio on 120mm film, the work reimagines cultural artifacts as high-fashion elements: a Jianzi as headpiece, salted fish as centerpiece, and peonies as symbols of beauty. With Asian collaborators, a Hong Kong backdrop by my father, and my sister as model, the series becomes both reconstruction of home and love letter to family.
:format(webp)/avatars/BC4502E0-A0DD-4375-9416-AD0DC46AD977.jpg "KC Avatar")
:format(webp)/creative-work-portfolio-project-files/235772/c109fe82bf954668a7c13441910c1dbd.jpg)
:format(webp)/creative-work-portfolio-project-files/277795/5ae5da2e3cf34159b5d363cee47d37af.jpg)
:format(webp)/creative-work-portfolio-project-files/235767/742475bca7774b87900e3a805a982619.jpg)
:format(webp)/avatars/BC4502E0-A0DD-4375-9416-AD0DC46AD977.jpg "KC Avatar")
Editorial
"鄭"
"鄭" is a personal photo series named after my father’s family name, bridging my Chinese and Korean heritage. Created with my sister, Dorothy Cheng, in a New York studio on 120mm film, the work reimagines cultural artifacts as high-fashion elements: a Jianzi as headpiece, salted fish as centerpiece, and peonies as symbols of beauty. With Asian collaborators, a Hong Kong backdrop by my father, and my sister as model, the series becomes both reconstruction of home and love letter to family.