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We spoke with him about that process, the influence of 2000s Cantonese and Taiwanese music on his eye, and what he's working on next.
What do you mean by your process being more like math than art?
"This means that my creative process is a carefully calculated one. I don't rely on some 'sudden inspiration from above,' but rather on methodically combining everyday experiences, fashion insights, and various elements."
Are there any images where the final result turned out completely different from what you originally imagined?
"Almost none, because I'm someone who really values preparation. I have a clear picture in my mind of the final image I want, so I prepare everything beforehand to make it as close to that as possible. I'm not one for 'chemical reactions,' my work is more like a math problem. No matter how I solve it, the answer is singular: that clear final image in my head."
Your work feels surreal but still emotionally familiar. What feeling(s) are you chasing?
"What I aim for is a kind of surreal feeling, almost like the inner world of a big kid. The emotional familiarity comes from not wanting my work to feel distant or hard to grasp."
How does music influence you?
"As a child, I formed my visual perception through music and music videos. Even now, music still influences my shoots. It helps me set the mood and rhythm for visuals, and often offers a fresh perspective to interpret a theme."
Is there a particular image or project you feel especially connected to?
"If I were to share one, it would be the series I shot in Yunnan for W Magazine. I titled it 'Superman in real life,' inspired by workers. That series has a special resonance and meaning for me."
Anything else you'd like to add?
"I'll be releasing the first photography book of my career this September. It's an important milestone, and I'm really excited to share it with everyone!"
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